Please see below a selection of our clients:
Imperial College London, Chartered Insurance Institute, University of West London, Royal Asiatic Society, Cameron MacIntosh, Fortnum & Mason, Royal Warrant Holders Association, Lloyd’s Register Foundation, Royal Society of Arts, Explore York Libraries and Archives, Scottish Rural College, and Catawba Indian Nation.
To receive further information, or to request a meeting, please complete the enquiry form on our Contact Us page.
The website Max created for London South Bank University, represents a successful coming together of two technologies. The first of these is WordPress, a tried and tested open source content management system, used in close to half a billion websites worldwide. Famous names who use WordPress include the New York Times, Microsoft, Sony and many others. WordPress is hugely popular amongst small to medium sized enterprises as well as large organisations with global reach and is the ideal platform for creating archival websites. WordPress’s flexibility and ease-of-use mean that the basic tasks associated with maintaining a website such as adding and deleting pages, editing content like text and images, adding new menu items and keeping the site up-to-date and secure can be taken on by individuals with little or no coding experience with minimal training.
The second technology used is AtoM – an ISADG standards-compliant, open source Archive Management System created by Artefactual Systems. AtoM is user friendly and easily navigable and its General Public License means that any data stored within the system will never be ‘locked in’ as can be the case with proprietary commercial Archive Management Systems. Max have a wealth of experience developing bespoke installations of AtoM for a wide range of customers with differing requirements and this was applied when bringing together these two technologies.
LSBU wanted to make their archive more accessible, not only to researchers and students but also to the general public. Whilst AtoM in and of itself is highly flexible system and allows for the development of a sophisticated and user friendly user interface, it was felt that embedding AtoM within a WordPress installation would open up the potential of the site to include news pages, blogs and other features not normally associated with an Archive Management System.
Max started by creating a branded WordPress installation for LSBU. The installation included a news section with a landing page including a paginated list of post excerpts with links to individual articles. At the same time, a similarly structured section celebrating the Centenary of Women in Engineering in the LSBU was created, allowing the head Archivist, Ruth MacLeod, to add new posts on an ongoing basis. Additional pages were created to provide context to the archive, including a detailed explanation of how to use AtoM to perform archival searches. Finally, a secure contact form was created to allow archive specific enquiries to be made.
The AtoM installation was carried out by Max’s experienced team and involved migrating LSBU’s existing 18 collections from a Calm database into AtoM in EAD/XML format. Max also exported LSBU’s collection of authority records.
The final piece in the jigsaw was to correctly embed the AtoM installation within the framework provided by WordPress. This involved allowing programming the two systems to send and receive information to and from each other to ensure that the hybrid system worked correctly. This was carried out in good time by Max’s technical team and after a period of rigorous testing along with training for LSBU staff, the site was put live.
Please click on the screenshots to see larger images. Alternatively, to get more ‘hands on’ with the system, please visit the site at: lsbu.maxarchiveservices.co.uk.
The SOTERIA / DRYAD installation Max carried out for the Royal Society of Arts is an example of how AtoM can be styled to meet a customer’s organisational branded requirements. It also demonstrates how Max’s SOTERIA digital preservation service dovetails with DRYAD to provide a joined-up digital preservation / ongoing archive management solution.
The Royal Society of Arts needed to migrate their existing archive collection which was, at that point stored in a Calm database, to AtoM, the open source, Archive Management System provided by Artefactual Systems which forms the backbone of Max Communications DRYAD service. In addition, they wished to future proof their collection by digitally preserving it and Max’s SOTERIA and DRYAD packages were selected as the best way to achieve the desired outcome.
When the project began, RSA were undergoing an extensive rebranding exercise and the installation carried out by Max needed to adhere to the strict branding guidelines supplied by the organisation’s marketing department.
Max’s SOTERIA service uses ‘Archivematica’ an open source software package by Artefactual Systems which provides a comprehensive digital preservation and storage service. In addition to the ingestion, validation, organising and cataloguing of content, the SOTERIA package includes the storage of archived content on LTO tape and on the cloud as well as numerous other features all of which would help address the future proofing issues highlighted by the RSA.
The second service, ‘DRYAD’, leverages Artefactual’s ‘AtoM’ package and provides a highly customised, branded, web based interface for access and retrieval of stored data. DRYAD additionally makes use of Max’s own ‘Crosswalker’ tool to facilitate and expedite data migration. Crosswalker is able to take data from a variety of sources and create a single, consolidated, ISADG compliant .csv file which can then be seamlessly ingested by AtoM thus populating the archive with minimal fuss.
Although both Archivematica and AtoM require a degree of extra customisation and development for them to really shine, both are open source software packages and one of the notable effects of this is that client costs are kept low.
After an initial consultation with RSA to understand their requirements along with a thorough analysis of their existing systems and data structure had been undertaken, Max’s technical team got to work exporting and cleansing Calm data whilst in XML format, converting it to ISADG compliant csv format and ingesting the data into Archivematica for digital preservation and storage. Max’s experience and technical know-how meant that this process was carried out efficiently and competently and within the agreed time frame.
Archivematica and AtoM are designed to work together. As part of the digital preservation process, Archivematica produces Archival Information Packages (AIPs) for digital storage and Dissemination Information Packages (DIPs) for dissemination into other packages. The final stage of this process involved populating AtoM by importing the DIPs produced by Archivematica and matching these up to the digital objects which had been imported separately.
Whilst this process was underway, RSA were undergoing a rebranding exercise. Max were able to style the AtoM User Interface to meet RSA’s branding guidelines ensuring that a full bespoke solution was implemented which met all of RSA’s targets.
Please click on the screenshots to see larger images. Alternatively, to get more ‘hands on’ with the system, please visit the site at: rsa-dryad.maxarchiveservices.co.uk.
Please click on the screenshots to see larger images.